Officium natalis Christi (Orlando di Lasso, 1530/32–1594)

Officium natalis Christi (Orlando di Lasso, 1530/32–1594)

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«Officium natalis Christi»

Orlando di Lasso (1530/32–1594)

With additional music by
Giovanni Matteo Asola (1532?–1609)
Jan Pieterszoon Sweelinck (1562–1621)
Andrea Gabrieli (1532/33–1585)

From «Cantate!» 27.12.20

Barfüsserkirche, Basel Historical Museum

Doron Schleifer – Cantus (Communio – Cantus II)
Charlotte Nachtsheim – Cantus (Communio)
Ivo Haun – Altus
Matthieu Romanens – Tenor
Rui Stähelin – Quintus
Carlos Federico Sepúlveda – Bassus
Aki Noda – Organo di legno

 

Musical director: Ivo Haun

 

Live concert recording: Oren Kirschenbaum
Moderation: Grace Newcombe and Marc Lewon

Calnca Altar. Historisches Museum Basel.

Bild: Grosser Flügelaltar der Kirche St. Maria in Calanca (Graubünden), 1512. Sammlung des Historischen Museums Basel, Barfüsserkirche.

Calanca-Altar. Historisches Museum Basel.

«Officium natalis Christi» – Orlando di Lasso

I

Introitus:


Puer natus est nobis (Chant)


Et Filius datus est nobis (5-part polyphony)


Cantate Domino canticum novum (Improvised 2-voice canon over the Chant)


Quia mirabilia fecit (5-part polyphony)


Gloria patri (Falsobordone by Giovanni Matteo Asola) 


Puer natus est nobis (Harmonisation over the Chant)


Et Filius datus est nobis (5-part polyphony, instrumental)

Alleluia:

Alleluia (5-part polyphony)


Dies sanctificatus (5-part polyphony)


Alleluia (5-part polyphony)

(Intermezzo Surprise  I)

II

Toccata à 4 Voc. – Jan Pieterszoon Sweelinck (organ solo)

 

Sequentia:


Natus ante saecula (Improvised counterpoint over the Chant)


Per quem fit machina (5-part polyphony)


Per quem dies et horae labant (Improvised counterpoint over the Chant)


Quem angeli in arce poli (5-part polyphony)


Hic corpus assumpserat fragile (Improvised counterpoint over the Chant)


Hoc praesens diecula loquitur (2-part polyphony)


Nec nox vacat novi sideris luce (Improvised counterpoint over the Chant)


Nec gregum magistris (5-part polyphony)


Gaude, Dei genetrix (Improvised counterpoint over the Chant)


Christe, Patris unice (3-part polyphony)


Et quorum participem (Improvised counterpoint over the Chant)


Ut ipsos divinitatis tuae (5-part polyphony)

(Intermezzo Surprise II)

III

Intonatione sesto tono – Andrea Gabrieli (Organ solo)

 

Communio:


Viderunt (Improvised polyphony over the Chant)


Omnes fines terrae (5-part polyphony)

 

For anyone who would like to sing along with the polyphony from 16th century notation, you can download the music here:

https://www.rerenaissance.ch/cantate

There you will also find practice videos for learning the separate voices.

We look forward to your comments, whether they be on Youtube or Facebook/Instagram, or via hello@rerenaissance.ch.

The Video will be released each day at 17:15, with optional English subtitles.

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